**The Shocking Truth Behind Mariah Carey’s Warnings About JLo and Her Alleged Exploitation of Black Artists**

Mariah Carey’s infamous “I don’t know her” remark about Jennifer Lopez has always intrigued fans, but what if it was more than just a passive dig? Recent allegations suggest that Mariah might have been trying to warn us about JLo’s troubling relationship with Black artists. Over the years, rumors have swirled about Lopez’s rise to fame, and it appears that her career might have come at the expense of several talented Black artists, including Ashanti, Christina Milian, and Brandy.

The Allegations of Song Theft

One of the most talked-about controversies is the accusation that JLo has a habit of borrowing songs—and even vocals—from other artists without giving proper credit. Ashanti, for example, has been vocal about her involvement in two of JLo’s biggest hits, “I’m Real” and “Ain’t It Funny.” Both songs were originally written and demoed by Ashanti, but when they were released, Lopez took center stage while Ashanti’s contributions were largely overlooked.

Ashanti explained that her vocals were used on “I’m Real” without much acknowledgment, leaving fans to question whether Lopez had intentionally overshadowed her. This wasn’t an isolated incident either. Christina Milian also found herself in a similar situation when her vocals appeared on a JLo track without proper recognition. For these rising stars, working with Lopez initially seemed like a great opportunity, but as time went on, it became clear that JLo’s career was thriving off their talent.

In addition to the song theft allegations, Lopez has been accused of appropriating Black culture to further her career. Hits like “I’m Real” and “Jenny from the Block” showcased JLo adopting a more urban image, which some claim was an attempt to appeal to a broader, predominantly Black audience. Natasha Ramos, who demoed “Jenny from the Block,” had her vocals used on the track, yet Lopez received the credit and accolades.

While it’s common in the music industry to use background singers and demo artists, many argue that Lopez’s practices went beyond the norm. The fact that these vocals were often from Black women, and that JLo reaped the rewards without giving them full recognition, has left a sour taste in the mouths of many fans and industry insiders.

Mariah Carey’s Feud and Warnings

Mariah Carey’s long-standing feud with Lopez is well-documented, but it appears there might be more to the story than just diva drama. Mariah’s subtle shade over the years, including the famous “I don’t know her” line, could be interpreted as a way to highlight the unfair treatment of other artists in the industry. Carey herself has been at the center of record executive Tommy Mottola’s schemes to elevate Lopez’s career—allegedly at Mariah’s expense. This rivalry fueled the fire, leading to more scrutiny of Lopez’s practices.

A Pattern of Suppression?

Many fans have noticed a pattern: several Black female artists who were thriving or poised for major success suddenly saw their careers stall after working with Lopez or after Lopez adopted their sound. Brandy’s career also seemed to take a backseat during the height of JLo’s fame, leading some to wonder if Lopez’s rise was coincidental or part of a larger, more troubling trend of using Black talent for personal gain.

A Fall from Grace?

As these stories continue to surface, Lopez’s once-untouchable reputation is taking a hit. What started as whispers of song theft and cultural appropriation has grown into a larger conversation about exploitation and fairness in the music industry. Fans are questioning whether JLo’s fame was built on the backs of underappreciated Black women whose talent and contributions went largely unrecognized.

While Lopez remains a global superstar, the cracks in her carefully crafted image are becoming more visible, and people are starting to wonder: how much of JLo’s success truly belongs to her?