The entertainment world has been rocked by new allegations from Jaguar Wright, who claims that rapper Yung Miami is deeply involved in a dark network linked to parties hosted by Sean “Diddy” Combs.

According to Wright, Miami, a member of the rap duo City Girls and Diddy’s rumored girlfriend, is allegedly part of a disturbing scene involving the distribution of a synthetic substance known as “Pink.”

Jaguar Wright, known for her outspokenness and accusations against powerful figures in the music industry, now points to Yung Miami as a “handler” for Diddy, alleging that her role includes providing Pink to make party guests “numb” and susceptible to manipulation.

Pink, described as a synthetic drug combining MDMA and other substances, reportedly heightens euphoria and reduces inhibitions. Wright claims this substance has been a fixture at Diddy’s gatherings, which she describes as events where guests are controlled and left vulnerable.

Recent reports have also highlighted Pink’s spread among celebrities, with incidents involving this substance raising concerns about its increasing role in Hollywood’s party scene. Media reports suggest that in February, a lawsuit filed by Diddy’s former producer, Lil Rod, alleged that Miami had helped provide the drug for Diddy’s notorious parties.

The lawsuit, which includes alleged footage, claims Miami was part of a group hired to perform certain “extra services” for Diddy, with suggestions that she was directly involved in securing and supplying Pink.

Another individual reportedly involved in this scandal is Brendan Paul, allegedly a middleman in the distribution of Pink. The lawsuit claims Paul secured Pink from Miami herself, casting her as more than just a guest at Diddy’s parties but someone with a critical role in the operation.

Although Yung Miami has yet to publicly address these allegations, an associate, Daphne Joy, has taken legal action, calling claims about her own involvement “100% false” and harmful to her reputation.

Jaguar Wright, however, is skeptical of these denials and maintains that Yung Miami is complicit in activities at Diddy’s gatherings. Wright asserts that these events are about far more than music and socializing, framing them as places of submission, control, and manipulation, with Pink serving as a dangerous catalyst.

Further adding to this controversy, Wright connects Pink to the recent tragic death of former One Direction star Liam Payne. According to toxicology reports, Payne’s system contained Pink along with other substances when he fell from a Buenos Aires hotel balcony.

Payne had reportedly been acting erratically, smashing objects in his hotel room and alarming staff to the point that they called emergency services twice. His behavior escalated, raising questions about whether the substances found in his system may have played a role in his death.

The unsettling details of Payne’s last moments, including multiple 911 calls from hotel staff worried for his safety, have only intensified questions surrounding Pink. Though no direct link has been established between Payne and Diddy’s circle, the presence of Pink in his toxicology report adds weight to Wright’s claims about the substance’s widespread and potentially dangerous use in celebrity circles.

Another notable name, Jamie Foxx, was also recently hospitalized under unexplained circumstances, leading to rumors of a similar involvement with Pink. Officially, his representatives cited a “medical complication,” but his ties to Diddy’s circle have prompted speculation. As more details emerge, many are left questioning whether Pink’s presence at these events signals a wider problem or even something darker.

This latest wave of allegations shines an uncomfortable light on celebrity culture, raising significant concerns about the cost of fame and the hidden pressures within the entertainment industry.