**Mariah Carey Unveils Dark Secrets: Tommy Mottola, Michael Jackson, and Diddy’s Involvement**

In a recent interview, Mariah Carey opened up about her tumultuous past with ex-husband Tommy Mottola, whom Michael Jackson infamously referred to as “the devil.” Carey’s revelations are shedding new light on the longstanding speculation regarding Mottola and Sony Music’s alleged roles in the struggles of music legends, particularly Michael Jackson.

Carey recounted a deeply emotional encounter with a distraught Jackson, who expressed fear and paranoia about Mottola’s behavior. “After my divorce from Tommy, Michael came to me crying.

He said, ‘This is an evil man. He taps my phones, and he is very, very evil,’” Carey revealed. This candid moment highlights the sinister control Mottola exerted over his artists and his perceived maliciousness. Carey emphasized that Jackson felt trapped, explaining, “We have to continue our fight until he’s terminated.”

Reflecting on her own experiences, Carey detailed how Mottola’s control extended beyond professional boundaries. She described feeling confined, stating, “I wasn’t really allowed out of the house,” underscoring the emotional and psychological toll of being in such a controlling relationship. When asked if she had ever experienced physical abuse, Carey clarified that emotional and mental abuse can be just as damaging, leading to a sense of entrapment. “It’s scary. You get into a situation and feel locked in,” she noted.

Throughout the interview, Carey accused Mottola of being a racist and a manipulative figure within the music industry. “Record companies really do conspire against their artists,” she asserted. “They steal, they cheat, and they do whatever they can, especially against Black artists.” This observation aligns with longstanding criticisms of the industry’s exploitative nature, particularly regarding marginalized artists.

Mariah Carey also reiterated her belief that Michael Jackson’s death was not a mere accident but rather a calculated act of murder. “I absolutely believe he was murdered,” she stated firmly. Jackson himself had confided in Carey, expressing fears that someone was plotting against him. “He told me they were going to murder him. He was afraid,” she recounted, further supporting the theory that Jackson’s untimely demise was connected to the pressures he faced from powerful figures in the industry.

The details surrounding Jackson’s death have long been shrouded in controversy. On June 25, 2009, Jackson was found unresponsive after being administered a sedative by his physician, Dr. Conrad Murray. The delay in calling for medical assistance raised eyebrows, leading many fans and family members to question the official narrative surrounding his passing. Carey emphasized that Jackson’s paranoia stemmed from the people in his life who were allegedly manipulating him for financial gain.

In the wake of Jackson’s death, his family and fans continued to suspect that the truth was being hidden. Jackson’s sister LaToya claimed that his music catalog made him a target, echoing concerns that powerful industry figures wanted him silenced. Furthermore, during legal battles involving Jackson’s estate, his son Prince testified that his father felt increasingly pressured and believed there were those who wished to harm him. This testimony further fueled the narrative that Jackson was a victim of a larger conspiracy.

Carey’s revelations serve as a stark reminder of the darker side of the music industry, where control, manipulation, and exploitation can overshadow the artistry and talent of musicians. As the world reflects on the legacies of both Mariah Carey and Michael Jackson, their stories underscore the ongoing struggle for artists to reclaim their narratives and fight against the powers that seek to exploit them.